Ages ago I promised a write-up of Edinburgh, so even though it’s been almost a month since I heard a Scottish accent I’m going to go back and see what muck I can dredge up from the depths of my memory.
Julian and I arrived in a downpour and made our way through what struck me as rather dreary streets to our hostel. But when the weather cleared and we went out to explore, I found myself falling in love with the city. It’s packed with ornate old buildings and gothic spires, and I found myself fascinated by the intersecting lines of roofs, chimneys, gutters, and church spires.
The next morning we went to the National Gallery. There was far more than I can do justice to here, so I’ll just focus on the two highlights for me. First was a self-portrait of the middle-aged Rembrandt. The play of light and shadow is striking, especially in the way he fades into the background of the painting. And something about those eyes evokes a beautiful melancholy. Absolutely incredible.
There was also a collection of intaglio prints by Giovanni Battista Piranesi, an 18th century Italian artist. The prints were based on Roman architecture, but with a fantastical twist. Often depicted as vine-covered ruins, many of the buildings are far larger than any that really existed. The prints were extraordinary from an aesthetic point of view, but I also found them particularly appealing because of my experience intaglio printing. Several of the prints featured superb control of line quality, with a range from lines so faint you could barely see them to others that were bold and black. And the detail was simply extraordinary – every fern on every Corinthian column captured perfectly.
But the prints I found most appealing were much less precise. Perhaps it was the darker tone (both in execution and in subject matter) that appealed to me; perhaps it was the fact that most of these depicted the construction of massive stone buildings (dungeons?) – something that was certainly on my mind given the coming work at the château. But I think most of all it was the sketch-like quality of these prints. They felt more dynamic somehow, as if the detail of the other prints- however exquisite it may be – robs them of some of their life.
Our next stop was the Scottish National Museum, which was actually a bit of a disappointment. They have a very impressive collection of historical artifacts, but the layout of the museum is confusing and fails to guide the visitor through a coherent narrative. We spent a distressingly large portion of our visit simply trying to find the way to get from one floor to the next. Exhausted after navigating through a few thousand years of Scottish history, we discovered a whole new wing of the museum that we had been completely unaware of, but decided that eating a decent meal might be a better use of our time.
The next morning Julian and I hiked up to Arthur’s Seat, a bluff that offers a view of the city below. Unfortunately this includes the less quaint areas that are blocked from view when you’re surrounded by the buildings of the old city. Oh well…
A short bus ride took us to Robin and Christine Davis, lovely family friends in Dunblane who hosted us for the night. We told them about the highlights of our trip, and they told us about the proper way to make tea. Apparently the first hot water that goes in the teapot should not be for the tea itself, but is only intended to warm up the pot. I’ve prided myself in usually taking the time to boil water in a kettle instead of in the microwave, but apparently I still fall short of perfection.
Properly educated, I had a cup of tea the next morning and then said my farewells to Robin, Christine, and Julian. And with that, I was on my way to France.